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The Beauty of Poetry Workshops • Mandie Hines Author

The Beauty of Poetry Workshops

A few insights from a recent poetry workshop.

Poetry is one of the wildest, most surprising, inspirational, life-consuming, and life-changing things I’ve ever hitched my wagon to. Every time I think I’m going to take a break from it to focus on other writing, poetry re-enters my life in a new, unexpected way that pulls me back in. And I can’t say I’m sorry about that, not one bit.

Last year, right about this time, I joined a poetry group called WyoPoets, the Wyoming State poetry society. They were having a workshop in the town where I live and I couldn’t pass up the opportunity to attend. I wrote about some of the things I discovered in that workshop in the post Art vs. Craft. This year, I renewed my membership and attended their workshop in Casper.

This year’s presenter was poet Connie Wanek, who has an impressive (staggering even) list of awards she’s received over the years. The things I will remember most about her though include her kindness, the encouragement she offered poets, and her humor.

I’ve been involved in a number of workshops before, and probably my least favorite task is being asked to write from a prompt where we have to write in the moment. I know many people love that and I can see its value in demonstrating a concept, but it’s uncomfortable for me. I like to be a little more contemplative or inspired to write when an idea strikes. So, the fact that Wanek didn’t require us to write to a prompt was of great relief to me.

Instead, we had group discussions on how to turn an idea of a personal, pungent story we wanted to tell into a poem and whether or not there was any such thing as a bad poem, what constitutes a bad poem, and how it could be reshaped into something we liked.

Luckily, there were many brave souls who willingly brought story ideas they’d struggled expressing in a poem, and some of their own poems they didn’t like and wondered if there was a way to salvage.

Instead of being at a conference where you sit and listen to a presenter (which in all honesty I love those too) it was like being part of a giant writing group, where we shared suggestions and ideas on how the poems might be molded. And tackling problems like this in a practical way as a group felt inspiring. I often find that it’s easiest to learn how to fix problems or address issues in someone else’s work when there’s that distance. I can then use those same principles in my own work.

Here are a few of the other inspiring or interesting points Wanek made during the workshop:

  • Poetry tries to make sense of our lives through words. You don’t even hardly know what you’re saying sometimes.
  • Poetry is a big house with room for all sorts of poems, just as music is a big house with many genres.
  • Writing — there is no right or wrong, there’s just more or less effective.
  • A great poem has to be better than having no mistakes.
  • Bad writing has no surprises, includes clichรฉs, we’ve heard it all before, and it offers nothing new.
  • Regarding rhyming poems: There’s a problem if you really have to torque the sentence to make a rhyme.
  • Poetry has to do with the love of language and the power it has in your life.

 

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5 Responses

  1. I liked the list of points she made, but especially “Writing โ€” there is no right or wrong, thereโ€™s just more or less effective.” The trick is knowing when and why your writing is less effective. Maybe it’s from using too many clichรฉs. Maybe it’s uninspiring word choices. Maybe it’s from skimming over the big drama moments — summing them up instead of showing them in action.

    The other part of the trick is learning how to make it more effective. Sometimes that can be the easiest and the hardest part, especially if it means having to weed out one’s love words/phrases. My current love words are “Just” and “Looked”. I tend to overuse those two words so much they’ve taken out a joint restraining order on me. ๐Ÿ˜†

    • Mandie Hines says:

      You are touching on another point she made, which is that feedback from a writing group, for example, is vital to determining what is and is not effective. Distance from a piece really makes it so much easier to pinpoint the weaknesses in a story.

  2. Diana Tyler (la muse excentrique) โ˜• says:

    Sounded like it was a great workshop and I like the points made on poetry.

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